Events

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Graphic for a workshop titled ‘An Introduction to Deep Learning for Image Classification.’ The background is a sepia photograph of people working at desks in a large hall with overhead lamps. A large green ampersand featuring an illustration of Ada Lovelace is placed on the left. The logo of the Centre for Data, Culture & Society (DCS) appears in the top right corner.

Silent Disco: Computer Vision for the Humanities: An Introduction to Deep Learning for Image Classification

Graphic for a workshop titled ‘Foundations of Webscraping.’ The background is a black-and-white photograph of students working together in a design studio with maps and models. A large teal ampersand featuring an illustration of Ada Lovelace is placed on the left. The logo of the Centre for Data, Culture & Society (DCS) appears in the top right corner.

Collecting Data from the Web: Foundation of Webscraping

Graphic for a workshop titled ‘What LLMs can and cannot do’ The background is a collage of historical printed text with an overlaid image of a wolf. A large green ampersand featuring an illustration of Ada Lovelace is placed on the left. The logo of the Centre for Data, Culture & Society (DCS) appears in the top right corner.

Digital Method of the Month: What LLMs Can and Cannot Do

Graphic for a workshop titled ‘Data Wrangling and Manipulation with R.’ The background is a black-and-white photograph of a large classroom where people are sculpting and drawing statues. A large green ampersand featuring an illustration of Ada Lovelace is placed on the left. The logo of the Centre for Data, Culture & Society (DCS) appears in the top right corner.

A Pipeline for Data Wrangling and Manipulation with R

Graphic for a workshop titled ‘Working Collaboratively Through Version Control.’ The background is a black-and-white photograph of people weaving on large looms. A large magenta ampersand featuring an illustration of Ada Lovelace is placed on the left. The logo of the Centre for Data, Culture & Society (DCS) appears in the top right corner.

Working Collaboratively through Version Control

a yellow tinged photo of people entering a building, with the text "Brad Rittenhouse, Project Deep Dive"

Giving Humanists a Helping Hand in HPC

Graphic for a workshop titled ‘Foundations of Sentiment Analysis.’ The background is a sepia photograph of people working at desks in a large hall with overhead lamps. A large green ampersand featuring an illustration of Ada Lovelace is placed on the left. The logo of the Centre for Data, Culture & Society (DCS) appears in the top right corner.

Silent Disco: Foundations of Sentiment Analysis

Graphic for a workshop titled ‘From Images to Text: Working with OCR.’ The background shows handwritten text overlaid on stacked paper. A large teal ampersand featuring an illustration of Ada Lovelace is placed on the left. The logo of the Centre for Data, Culture & Society (DCS) appears in the top right corner.

From Images to Text: Working with OCR

Graphic for an event titled ‘CDCS Fika October 2025.’ The background is a black-and-white photograph of people sitting outdoors, with one person holding a cup. A large magenta ampersand with an image of cupcakes is placed on the left. The logo of the Centre for Data, Culture & Society (DCS) appears in the top right corner.

Fika

Graphic for a workshop titled ‘Network Analysis with Gephi.’ The background shows a dark diagram with handwritten-style network terms. A large green ampersand featuring an illustration of Ada Lovelace is placed on the left. The logo of the Centre for Data, Culture & Society (DCS) appears in the top right corner

Network Analysis from Scratch: Intro to Gephi

Graphic for an event titled ‘Patrick Helling Project Deep Dive.’ The background shows a pattern of outlined document icons on a pale background. A large magenta ampersand featuring an illustration of a woman is placed on the left. The logo of the Centre for Data, Culture & Society (DCS) appears in the top right corner.

How to tackle RDM in the Humanities

Graphic for a workshop titled ‘Network Analysis.’ The background is a collage of historical printed text with an overlaid image of a wolf. A large green ampersand featuring an illustration of Ada Lovelace is placed on the left. The logo of the Centre for Data, Culture & Society (DCS) appears in the top right corner.

Digital Method of the Month: Network Analysis

Roller Shelving at the School of Scottish Studies

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